Composition and Aesthetic
Story Basics(narrative)
Exposition, theme, Arc, Plot and Character, point of view and detail
- Exposition: including who, what, where, when, why(context) – guiding audiences to follow the story
Features of ‘Exposition’: Enrich understanding and raise stakes in stories
– narration (voice-over)
– visual: establish shot of places or sign
– footage: telling what’s going on
– element of humour or surprise (sometimes)
- Theme: most basic lifeblood of a film, illuminate an aspect of the human condition
- Arc: the way or ways in which the event of story transform the characters
- Plot and character: films are described as plot (e.g. thriller/action)/character driven, however, there’s lots of grey area between plot and character driven
-shorter films present ‘slice of life’ portrait of people or places
-longer films’ structure need to be more overarching(including every part of events)
- Point of view: perspective/position of people including film-maker, perspective of the camera, times and lens)
– unexpected point- force audiences take a new look at familiar subject
– filmed by the subject themselves e.g. ‘The War Tapes’ by Deborah Scranton
- Detail: surrounding a range of thing have to with specificity
– telling detail: a specific detail may indicate characters’ habit or life-style(sometime can be misleading)
– storyteller: eyes & ears should be open to detail, specifics (focus on narration)
A good documentary = express the way in which audience experience the story
– about somebody we have empathy with
– somebody wants something badly
– something is difficult, but possible do, get/achieve (most for Hollywood)
– maximum of emotional impact + audiences’ participation (makes story move compelling)
– must come to satisfactory ending (=/ happy ending)
- Who/What they story is about
– ‘somebody’ = protagonist, telling somebody’s story
– characters’ mission = audiences are compelled to care about the result
– central character =/ person, e.g. city (having a character(human) is better)
- What the Protagonist wants (goal/objectives)
– active: characters in charge of their own, making decision what to do (to achieve goal)
– passive: film-makers do care about it more, making it worth to be sympathetic